The sound of empires toppling
Satires on taxation, global capitalism and Section 28 aren’t perhaps the usual fare of television aimed at children, but, produced as it was by the BBC’s drama department, Doctor Who often aimed squarely at the family audience, ensuring that there was a something in its stories to appeal to adults while the kids were hiding behind the sofa.
As part of my exceptionally slow progress through all the Doctor Who ever made, I recently reached The Sun Makers, a Tom Baker story from 1977 in which political satire is pushed front and centre - arguably at the expense of younger audiences.
The central conceit is relatively simple: the Doctor and Leela arrive on Pluto, where what’s left of the human race are living, enslaved by compulsory work for the Company and punitive tax rates. The Doctor’s task within four episodes is to overthrow the Company and free the people.


