Regular readers of this blog will know that I usually post a summary of the Eurovision entrants around this time of year. Alas, what with elections and then post-election holidays and then going to the pub a bit, this year there will be no blog post. I know, it’s a tragedy.

However, it’s not all bad news. I’ll be live tweeting along with the Eurovision final on Saturday night on my twitter account, so much of the, er, insight that usually finds its way onto this blog will be available there. Watch out for numerous Blake’s 7 references.

You can also fill this blog-post-sized hole with my contribution to this week’s Pod Delusion podcast. You’ll find me wittering on about Eurovision (recorded in one take I’ll have you know) around 26 minutes in:

Finally, don’t forget to tune in yourself to BBC One at 8pm on Saturday (or some red buttony thing that I don’t have that gives you the lyric subtitles). I’ll be backing Denmark. Or maybe Romania. Or maybe Albania. I haven’t quite made up my mind. And whereas last year I correctly predicted (for once) that Norway would storm to victory, there’s no such obvious victor this year.

It was only a few years ago that I first heard of Jacques Brel. He was a Belgian singer-songwriter, famed in France for his complex, poetic songs and energetic performances. Although his songs were nearly all in French, they have been widely translated into English – the best known are Scott Walker’s Jackie (Spotify link), an accurate reflection of Brel’s original, and Terry Jacks’s Seasons in the Sun, which is, erm, less so – the original, Le Moribond, has a markedly darker emphasis.

Scott Walker recorded English versions of a number of Brel’s songs, as did David Bowie. Compare versions of Amsterdam by Walker, Brel and Bowie

Anyhoo, the reason I’m writing about Brel now is to plug Radio 2′s three-part documentary about his life and music, Behind the Brel. You’ve missed episode 1, I’m afraid, but episode 2 is on the iPlayer and episode 3 will be on Radio 2 on Tuesday night at 11.30pm. At the time of writing, obviously. If you’re in the far distant future, you may need to hunt the space internet for a copy of visit your local space library.

You can of course read more about Jacques Brel on teh Wikipedia.

In honour of my writing this from Lib Dem spring conference in Birmingham, today’s (short) list is Pop Songs That Name Constituencies With Liberal Democrat MPs. It’s also inspired by the first entry on the list, which – bizarrely – was being sung outside the conference hotel in the early hours last night.

Despite our 63 MPs, few constituencies are likely to appear in song lyrics because they contain qualifiers (mainly compass points). So Brent East, Leeds North West, Bristol West, Cardiff Central and Oxford West and Abingdon are unlikely to feature.

I’ve managed to come up with six. Any additions in the comments please.

• Jackie by Scott Walker – Twickenham
• From Rochdale to Ocho Rios by 10cc – Rochdale
• Boston (Ladies of Cambridge) by Vampire Weekend – Cambridge (there must be more that mention Cambridge)
• Winchester by Emmy the Great – Winchester
• Chesterfield King by Jawbreaker – Chesterfield
• Taunton Exhibition by The Bus Station Loonies – Taunton

All right, I got the last couple from Google.

The run up to the 2010 Eurovision Song Contest has begun. Many countries have already chosen their songs and singers. We know the UK’s song will be written by Dennis Pete Waterman. And this got me wondering: which songs from last year’s competition have faded into (even greater) obscurity and which are still being listened to?

There are a handful of tracks from last year that still come into my head occasionally. The winner, Fairytale; Ukraine’s Be My Valentine; Hungary’s pretty unsuccessful Dance With Me; Slovenia’s Love Symphony; Sweden’s La Voix. But what about the rest of the world who aren’t me?

Fortunately, there’s a way to get an idea. last.fm is a website that keeps track of your listening habits, if you so desire. It has thousands of users and it’s possible to look up the listening figures for any given track. So I’ve gone through last year’s entries and counted up the number of plays each has had in the last six months.

Before I give you the results, there are some caveats. For a start, it’s not going to be an objective measure of the songs themselves as the results of the Contest will skew the figures. The winner in particular had lots more exposure as a result, and the songs that didn’t progress from the semi-finals weren’t broadcast to the same audience as the final. Also, I’m aware that the songs I’ve played have tended to be served up by the shuffle feature on my iPod – so those listens are less about those songs being high quality than not being bad enough for me to have skipped to the next track. Plus, there’s no record of which country these listens came from – most could be in the entry’s home country (they couldn’t vote for it during the show) and the size of the last.fm user base in each country will make a difference.

Then there’s the problem of disambiguation. Not least because of the different languages involved, but also because of the generally inconsistent taxonomies of people’s audio collections, tracks are listed on last.fm under variations of their titles and variations of their artist. And it’s case sensitive. For example, Ukraine’s entry appears separately under

• Be My Valentine by Svetlana Loboda
• Be My Valentine (Anti-crisis girl) by Svetlana Loboda
• Be My Valentine! (Anti-Crisis Girl) by Svetlana Loboda
• Be My Valentine! (Anti-crisis Girl) [Ukraine] by Svetlana Loboda
• Be my Valentine (Anti-crisis girl) by Светлана Лобода

and more. I’ve mostly taken all the entries among the 15 top tracks shown by default on the artist page. This works against singers who’ve had lots of other hits under the same name (or who share their name with another group), so where the impact of that was large I’ve looked further down the list to include more plays. I’ve attempted to go through all the obvious variations of artist names – so for “A & B” I also looked up “A feat. B”, “A feat B”, “A and B”, and “A”. I’ve included remixes, radio edits and different translations of the songs.

That all said, here are the results of the people-still-listening-to-Eurovision-2009-entries jury.

…which suggests that the Europe-wide voting public got it roughly right.

It’s no surprise that Alexander Rybak is in first place by miles, averaging six listens an hour by last.fm users in the last six months. Iceland’s second place in the competition is also accurately reflected by the listening figures – less predictably – and France’s Patricia Kaas appears in 8th place in both the results and the listening figures.

The songs that seem to have been more popular than their results suggested are from Estonia, the UK, and in particular Germany and Sweden. Turkey and Azerbaijan are a little lower in the listener counts. Finland’s entry Lose Control by Waldo’s People, deserves a special mention: it came last in the Eurovision final but is the 5th most listened to. Although this could be the result of last place notoriety, it’s more likely genuine success, either restricted to their home country or, given the style of the song, in the Eurodance world.

The three songs that finished in the top 10 on the night but not in this chart are Greece’s This Is Our Night (four places lower), Bosnia & Herzegovina’s Bistra Voda (nine places lower, although I rather liked it), and Armenia’s Jan Jan (a whopping 14 places lower). The highest placed semi-finalist who didn’t make the final was (appropriately) The Highest Heights, Switzerland’s entry, which is the 19th most popular entry of the last six months.

So there you go. Pseudo-scientific. Passably interesting.

This year’s Eurovision final is on Saturday 29th May, with the semi-finals on Tuesday 25th and Thursday 27th. I’ll probably return in May with a preview – and I’ll attempt to successfully follow-up last year’s post, where, for the first time ever, I successfully predicted the winner.