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Like clockwork come the seasons: winter follows autumn, spring follows winter and now we rejoice as the greatest season of all follows spring: Eurovision.<\/p>\nLike clockwork come the seasons: winter follows autumn, spring follows winter and now we rejoice as the greatest season of all follows spring: Eurovision.<\/p>\n
You can expect bangers from the ladies and ballads from the boys as well as a glut of songs about dead family members. There are hardly any video screens but lots of lights and pyro, and an enormous stage.<\/p>\n
Following Salvador Sobral\u2019s victory in Ukraine last year, we find ourselves in sunny Lisbon where 43 countries do battle for the Eurovision Song Contest title. First we must whittle those 43 down to just (just!) 26, so we begin with the first semi-final, from which 10 of 19 songs will qualify.<\/p>\n
If you\u2019re in the UK, you can watch the BBC coverage on BBC Four or livestream the show free from commentary on the official Eurovision YouTube channel from 8pm. Although the United Kingdom qualifies for the final automatically, this is the semi-final in which we can vote, so get that dialling wand ready.<\/p>\n
Enough with the preliminaries; on with the songs!<\/p>\n
Azerbaijan: X My Heart by Aisel<\/strong><\/p>\n It\u2019s a strong opening to the show with a banger from Baku. The staging reflects the Contest\u2019s nautical theme (slogan: \u201cAll Aboard!\u201d), Aisel has a great voice and there\u2019s a clear Euphoria influence. The weak links are the lyrics, which are weirdly infantile at points and include some unwise advice about not using firewalls. Also it\u2019s spelt \u201cCross\u201d not \u201cX\u201d.<\/p>\n Verdict: Good start, poor cybersecurity.<\/p>\n Iceland: Our Choice by Ari \u00d3lafsson<\/strong><\/p>\n One of the hosts at the London Preview Party commented on Ari\u2019s visual similarity to Johnny Logan and once you\u2019ve had it pointed out it\u2019s hard not see it every time. But whereas Johnny Logan lifted the Eurovision trophy more than once, Ari will be lucky to qualify. He\u2019s a talented singer but this is the epitome of worthy peace and love dirges and should be sent to Davy Jones\u2019 locker.<\/p>\n Verdict: Not our choice.<\/p>\n Albania: Mall by Eugent Bushpepa<\/strong><\/p>\n Eugent is an experienced performer with an effective stage presence but however many times I listen to this it just doesn\u2019t stick in my head. It\u2019s being in Albanian doesn\u2019t help \u2013 of course people should sing in their native languages if they want but it\u2019s a fact of life that English language entries do better. I\u2019m assuming this isn\u2019t about shopping but I don\u2019t like it enough to look it up.<\/p>\n Verdict: Touch and go for qualification.<\/p>\n Belgium: A Matter of Time by Sennek<\/strong><\/p>\n It\u2019s a law of Eurovision that there must be at least one Bond theme and this has a heavy Tomorrow Never Dies vibe about it. But while the recording sounds great, the arena version has failed to bring it to life in any of the clips I\u2019ve seen so it might well be heading out tonight.<\/p>\n Verdict: From Brussels with Love.<\/p>\n Czech Republic: Lie to Me by Mikolas Josef<\/strong><\/p>\n An early favourite thanks to a charismatic singer, eccentric lyrics and contemporary music, its chances have suffered since Mikolas injured himself during rehearsals. The song is fun but needs an energetic performance to sell it, so if Mikolas is back to strength, this should sail to the final.<\/p>\n Verdict: Gets my camel in the mood.<\/p>\n Lithuania: When We\u2019re Old by Ieva Zasimauskait\u0117<\/strong><\/p>\n I discounted this for a long time. It\u2019s deceptively simple, soft vocals delivering a gentle melody and personal lyrics, but complemented by some emotive staging this dark horse could find its way through.<\/p>\n Verdict: The sweetest ballad in the Contest.<\/p>\n Israel: Toy by Netta<\/strong><\/p>\n It\u2019s fair to say that Netta has a unique performance style. This is bold, brash and stands out \u2013 maybe like a sore thumb for some but for others it is a potential winner. There are chicken sounds, vocal loops and vibrant costumes but Netta is so idiosyncratic that it all fits together rather than feeling like a gimmick. The feminist lyrics are timely too. Send it to the final.<\/p>\n Verdict: A Eurovision classic.<\/p>\n Belarus: Forever by Alekseev<\/strong><\/p>\n This has been tinkered with a lot and I\u2019m not sure the changes have all improved it. There\u2019s now a slower opening and more of a build, but that could work if it\u2019s staged well \u2013 and this definitely does have some attention grabbing floral stage gimmicks. I love the way Alekseev\u2019s vocals move between octaves although clips of his live performances have made me a little sceptical of how well he\u2019ll pull it off on the night.<\/p>\n Verdict: One of my favourites but the performance needs to live up to the song.<\/p>\n Estonia: La Forza by Elina Nechayeva<\/strong><\/p>\n Estonia haven\u2019t had the success their songs deserved of late but that will all change in 2018. La Forza is operatic in music and in scale. Elina\u2019s vocals alone will take this to the final but an eye-catching dress of epic proportions can only help. The song itself is not especially memorable but it\u2019s another entry that is totally different from anything else in the competition and that\u2019s never a bad thing.<\/p>\n Verdict: A dead cert for the final and a potential winner.<\/p>\n Bulgaria: Bones by Equinox<\/strong><\/p>\n Bulgaria held back revealing this until late in the day and hyped it a bit too much. It\u2019s good but it\u2019s not as good as it thinks it is and Equinox still feel more like a cobbled together group of disparate talents than a coherent whole. They can definitely sing though and having a large group of strong vocalists gives this an oomph.<\/p>\n Verdict: This will feel either weighty and meaningful or just gloomy.<\/p>\n FYR Macedonia: Lost & Found by Eye Cue<\/strong><\/p>\n This skips around between time signatures and styles which keeps your interest, building to a super catchy chorus \u2013 only to revert back to the ska opening and do it all again, which feels both creative and mildly frustrating. Macedonia\u2019s Achilles heel with this is the staging: they\u2019ve struggled to translate the song into an effective live version that gives it an extra push.<\/p>\n Verdict: Fun but frustrating.<\/p>\n Croatia: Crazy by Franka<\/strong><\/p>\n A classy number backed up by quality vocals and an engaging live performance, albeit with some slightly cringeworthy spoken lines halfway through. It doesn\u2019t really go anywhere, though, which is dangerous in this semi final.<\/p>\n Verdict: Could easily get lost among strong competition.<\/p>\n Austria: Nobody But You by Ces\u00e1r Sampson<\/strong><\/p>\n Like the UK\u2019s SuRie, Ces\u00e1r has a Eurovision pedigree, having been a backing singer and dancer in previous years. Now he\u2019s front and centre giving a strong account of himself supported by some effective gospel backing vocals. The rehearsal clips have held back the main element of his staging so it\u2019s hard to predict how that will look on TV.<\/p>\n Verdict: Deserves to qualify.<\/p>\n Greece: Oniro Mou by Yianna Terzi<\/strong><\/p>\n A low key entry from Greece that won\u2019t be helped by being sandwiched between Austria and Finland. It\u2019s melodic and feels very\u2026 Greek<\/em>. At least it\u2019s fortunate to be in the same semi final as Cyprus when it comes to the voting.<\/p>\n Verdict: Only the most memorable of performances will see it through to the final.<\/p>\n Finland: Monsters by Saara Aalto<\/strong><\/p>\n X-Factor finalist Saara Aalto performed three songs for UMK, the Finnish selection show, all of them contenders, and this is the one the public went with. I\u2019ve seen her do this live in person a couple of times as well as in rehearsal clips and she nails it every time. It\u2019s generic pop but no less good for it and there\u2019s quite the heart stopping moment at the end of her performance.<\/p>\n Verdict: Love it.<\/p>\n Armenia: Qami by Sevak Khanagyan<\/strong><\/p>\n Sixteen songs in the audience may be starting to lose track, so Armenia have not chosen a good moment to serve up a forgettable ballad in Armenian.<\/p>\n Verdict: A forgettable ballad.<\/p>\n Switzerland: Stones by ZIBBZ<\/strong><\/p>\n On first listen, I didn\u2019t like this. Then I did. Then I didn\u2019t. Then I saw it at the London Preview Party and was sold. This is a rocky number (with a bit of politics in the lyrics) that really comes alive in performance, as Coco prowls energetic around the arena.<\/p>\n Verdict: Stones over Bones.<\/p>\n Ireland: Together by Ryan O\u2019Shaughnessy<\/strong><\/p>\n While Ryan can pull it off, I still don\u2019t know why he\u2019s put so much of his song right at the top of his vocal range. Anyhoo, this is a pleasant, borderline insipid ballad lifted by some beautiful staging, complete with ye olde streetlamp.<\/p>\n Verdict: Ryan will be on Ryanair tomorrow morning.<\/p>\n Cyprus: Fuego \u2013 Eleni Foureira<\/strong><\/p>\n It\u2019s the last entry of the night. You\u2019ve got your scores sorted. You know who you\u2019re voting for but might as well see what the last country brings. And BOOM! It\u2019s back to the scoring board courtesy of Cyprus. If you were wondering where the big pop number was hiding, wonder no more. The studio version was good but Eleni explodes with the staging. It\u2019s an unashamedly big Eurovision performance from the dance routine to the memorable costume to the fire. FUEGO!<\/p>\n Verdict: Five pelicans out of five.<\/p>\n Predicting the qualifiers is a fool\u2019s errand but here we the ones I\u2019d be putting through to Saturday\u2019s final:<\/p>\n Will the wise voters of Europe agree? I\u2019m off to the Altice Arena to find out.<\/p>\n","protected":false},"excerpt":{"rendered":" Like clockwork come the seasons: winter follows autumn, spring follows winter and now we rejoice as the greatest season of all follows spring: Eurovision. You can expect bangers from the ladies and ballads from the boys as well as a glut of songs about dead family members. There are hardly any video screens but lots […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,11],"tags":[459,949],"class_list":["post-37248","post","type-post","status-publish","format-standard","hentry","category-music","category-tv","tag-eurovision","tag-eurovision-song-contest"],"yoast_head":"\n\n